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Jim Goldberg began to explore experimental storytelling and the potentials of combining image and text with Rich and Poor (1977-85).Through the developing of personal relationships with the subjects of his photos he juxtaposes the residents of welfare hotel rooms with the upper class and their elegantly furnished home interiors. He investigates the nature of American myths about class, power, and happiness through an intimate documentation of peoples truth and realities.
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Over the past 25 years, Todd Hido has refined a point of view that is both familiar and unsettling. His images are manifestations of a deep and sustained interest in the way photography works on our personal and collective consciousness.
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Raymond Meeks’ work is informed by a constant recalibration between inner and outer world, the canny and the uncanny, the particular and the universal. In his hands, the camera is an instrument that dissects ritual and renders form, briefly making the world around us comprehensible, and rendering us comprehensible to ourselves.
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Lindsey White's photographs are informed by her ongoing research into the proffessional and amateur worlds of magic and comedy. White uses original negative scans from the American Musuem of Magic and re-tools archival photographs to interrogate the way history is tended to and manipulated.
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Suné Woods' Practice examines absences and vulnerabilities within cultural and social histories. She is interested in how language is emoted, guarded, and translated through the absence/ presence of a physical body.
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