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Untitled Miami Beach 2022
Past viewing_room
Casemore Gallery is pleased to present work by Sonya Rapoport and Daisuke Yokota for Untitled Miami Beach 2022.
Dear David (#22), 1976
pencil, colored pencil, stamp, colored typewriter and thread
on found continuous-feed computer paper
44.5 x 55" [HxW] (113.03 x 139.7 cm)
Right-On, 1976
pencil, colored pencil, stamp and thread on found
continuous-feed computer paper
44.5 x 55" [HxW] (113.03 x 139.69 cm)
Message From Malaysia, 1976
pencil, colored pencil, ink, stamp and thread on found
continuous-feed computer paper
44.5 x 33" [HxW] (113.03 x 83.82 cm)
Binding, 1976
pencil, colored pencil, ink, stamp and thread on found
continuous-feed computer paper
30 x 33" [HxW] (76.2 x 83.82 cm)
Edwina, 1976
acrylic spray on arches paper
38 x 50" [HxW] (96.52 x 127 cm)
Hava, 1976
acrylic spray and graphite on arches paper
38 x 50" [HxW] (96.52 x 127 cm)
Daisuke Yokota (B. 1983 in Saitama Prefecture) is in the forefront of Japanese artists experimenting in photographic image making, Yokota explores the perception of time through photography inquiring how can time be included in a still image. Using the photographic negative as the starting point, Yokota focuses on the materiality of photographic construction, namely film and paper before layering sheets of unused, large-format color film, ranging in size. Yokota develops the layers of unused color film using boiling water to allow new colors to emerge as the emulsion melts and silver oxidizes, then the damaged sheets of film, which no longer can be developed, are scanned to create the final work.
Untitled, 2022
archival pigment print
71" x 57" [HxW] (180.34 x 144.78 cm)
Edition 2 of 2, 1 AP
Untitled, 2022
archival pigment print
71" x 57" [HxW] (180.34 x 144.78 cm)
Edition 1 of 2, 1 AP
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